ユミは夫と娘の３人暮らし。近(jìn )々(🏻)引っ越(🥣)しを考えている。ユミは娘のレイナが時(🤯)折うわ(🕧)言を発することが、少々気(qì )にかかっ(🌮)ていた(🤟)。転居の報告も兼ねて友人ヒロミと久(jiǔ(⏩) )々に再(🗨)(zài )会す(🆘)るユミ。話題はいつしか「あの日(⬛)(rì )」の(⬆)ことに(👏)。「私たちが埋めた時、本当(dāng )に(🚬)死んで(🍆)たのか(✴)な？」。ユミは「あの日」のことを清(qī(⛄)ng )算すべ(🧓)く、サエ、アコにも再(zài )会を決意し、(🛋)廃墟の(🌀)ような家に一人で住むサエに会いに行(😞)く。サエ(👔)は、見知らぬ少女(nǚ )が現れて娘だと言(👂)って聞(😢)かず、しばらく一緒に暮らしていたが(🧙)死んだ(🧢)こと、(🔚)そして少女は死(sǐ )んだままその(🤢)家(jiā )の(📑)３階(jiē(🎅) )に寝かされているということを話し出(💎)す。(C)「黄(👹)(huáng )泉がえる少女(nǚ )」製作委員会
在(zài )革(🔴)命烈士(🐿)纪念碑前，抗战(zhàn )老兵王(wáng )二回忆(yì )起了(🚼)自己曾(👌)经的(de )前辈、导师及战(zhàn )友。在那个战火(huǒ(📐) )纷飞的(📣)(de )年代，侵华日军(jun1 )的铁蹄(tí )踏到了王(wáng )二所(🌕)在的村(🤢)子里(lǐ(🖐) )。十五(wǔ )六岁的(de )王二胆小懦弱，无依(🔪)无靠(kà(🚮)o )的他在(🕌)炮火中无(wú )所适从(cóng )，直到(dào )一个八路军(🐍)的班(bā(💾)n )解救了他(tā )。就此他结识了(le )有勇有(yǒu )谋的(🤾)班(bān )长(♉)赵真，机灵的(de )侦查员张鹏，大大咧咧的(de )警卫(🥨)员(yuán )孙(👍)大嘴(zuǐ )，谨慎的刘贵，沉着的(de )狙击手周(zhōu )大(🚙)宝，善良(💂)的卫(wèi )生员叶(yè )琳，以及因厌恶(è )侵略战(🌧)(zhàn )争而(🍻)投靠(kà(🐑)o )八路军的原日军(jun1 )成员小(xiǎo )林健次(🍸)(cì )郎。赵(🐨)真所在(🦏)的(de )班因解救(jiù )王二而与大部队(duì )失散，他(💇)们一(yī(🔈) )行人带着王二，在日军的(de )封锁区艰难的寻(🕓)(xún )找着(🖇)大(dà )部队。在战火的洗礼中(zhōng )，他们每个人(🌦)都面临(💭)着突(tū )破自我(wǒ )的考验(yàn )……
Aom is haunted by horrible nightmares which can’t be named & explained, she gets sicker everytime she got the nightmare. During her visit to her 80 years old grandma, she find out that, her grandma who looked more dead than alive, is hosting and feeding a ghost.
《大漠巾(🈁)(jīn )帼情(🌶)》由国家林(lín )业和草原局、中(zhōng )共榆林(lí(🚨)n )市委宣(♉)传部、(🍼)中(zhōng )共榆阳(yáng )区委、榆(yú )阳区人(🕳)民政府(🗒)、中共(💥)榆(yú )阳区委(wěi )宣传部联合摄制(zhì(🏵) )，影片以(🦉)(yǐ )榆阳(🚦)区补浪河女(nǚ )子民兵(bīng )治沙连(lián )为故事(🕞)原型，讲(🏨)(jiǎng )述了治沙连四十多年来坚(jiān )持治沙(shā(❤) )造林的(👾)(de )感人事迹，治沙(shā )连的女兵们用自己的青(🍣)春(chūn )，在(⏺)毛(máo )乌素沙(shā )漠中，谱写了一(yī )曲绿色(sè(📝) )的乐章(🕳)，讴 歌了(❤)治沙连艰(jiān )苦奋斗(dòu )、自强不息(🕝)的治(zhì(📁) )沙精神(🚮)(shén )，弘扬了(le )继往开来、薪火(huǒ )相传(🤷)的(de )革命(🤱)传(chuán )统(🏻)。
Aom is haunted by horrible nightmares which can’t be named & explained, she gets sicker everytime she got the nightmare. During her visit to her 80 years old grandma, she find out that, her grandma who looked more dead than alive, is hosting and feeding a ghost.
After his mother's sudden death, Socrates, a 15-year-old living on the margins of São Paulo's coast, must survive on his own while coming to terms with his grief.
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
