From the rough streets and back alleys of Central Mumbai comes the sensational true story of Arun Gawli, a man who scripted his own destiny, eventually going on to become one of India's most feared gangsters. Today he remains an enigmatic figure; at once a volatile, power-hungry criminal for some and the respected "Daddy" or a modern day Robin Hood for the working-class neighborhood he belongs
《杀手卡(kǎ )利》是一部拍(🥍)(pā(🐚)i )摄(😳)于(📟)(yú )2016年(nián )的小成本犯罪(zuì )题材(cái )电(🎺)影(😞)，由《美(👡)(měi )国重案》的理(lǐ )查德(dé )·卡布莱(🐷)与《火(🚙)线(🌵)警(📊)(jǐng )探》的瑞恩·多西联合主演(yǎn )。
80年(niá(🎆)n )代(🐟)末(🕳)期，生活在宁夏(xià )矿区的小两口(kǒu )陈(🦕)志(🦑)平（(🕔)张多饰）和周淑萍（卢(lú )珊饰）(🔐)过(🎵)着(🏦)平(🧣)凡又安(ān )宁的(de )生活。但嗜赌(dǔ )如命的大(🍓)伯(🎗)哥(⛔)(gē )（杜旭(xù )东饰）被人追(zhuī )债追(zhuī(🛸) )到(🦎)家(🏑)里(🗓)，紧接(jiē )着父亲（郭九(jiǔ )龙饰(shì )）(🍚)被(💀)气死(📡)、母亲(qīn )（刘(liú )爱玲饰）被逼(bī(🆓) )疯、(🈂)就(🍿)连(👇)陈志(zhì )平也(yě )在矿上受伤，加上早(zǎ(🌂)o )年(🎳)就(🚳)因车祸下(xià )身瘫痪的弟弟(dì )陈志(zhì(🏗) )军(🌅)，一家(🐗)人全体陷入(rù )困境，只有周(zhōu )淑萍(👇)一(🌗)个(📴)女(📬)人担负(fù )起了拯救家庭(tíng )的重任(rèn )...
注(🏷)目(👋)の(🚬)ミステリー作家・大山誠(chéng )一郎原(🔼)作(📖)「(🛒)赤(🛀)(chì )い博物(wù )館」のドラマ化第(dì(🔚) )2弾(😑)。松下(🚑)由樹(shù )主演で犯罪資(zī )料館(guǎn )緋(🐽)(fēi )色(🔩)冴(🚷)子(🔱)シリーズ『赤い博物館2』を放送す(🏬)る(🗼)。
《四(🎼)(sì )个春天》是一部以真(zhēn )实家庭生活(🌐)为(🥢)(wéi )背(🎆)景的纪录片(piàn )。15岁(suì )离家，在异乡漂(🥢)泊(📞)多(🕔)(duō(🚗) )年(🐂)的导演以自(zì )己南方小城里的父(fù(🎧) )母(🌐)为(🕴)主角，在(zài )四年光(guāng )阴里，以一己(jǐ )之(😂)力(👮)(lì(🖌) )记(🚇)录了他们的(de )美丽日常。在(zài )如诗的(🥨)(de )乐(⌚)活慢(🛳)生活图(tú )景中(zhōng )，影像缓缓雕(diāo )刻(⛱)出一(🤥)个(📸)幸(🌴)福(fú )家庭(tíng )近(jìn )二十年的温柔(róu )变(💯)迁(🀄)(qiā(🆖)n )，以及他们如(rú )何以自己的方(fāng )式面(🛺)(mià(🐨)n )对流(📻)转的时间、人生(shēng )的得失起落。
撤(🌽)离(💲)广(🍪)州(🌵)的(🌸)影(yǐng )室，通过日军的动向，发(fā )现了一(🉐)支(💌)神(😥)秘(mì )的抗日力量已身陷(xiàn )重围，民族(🌿)家(✖)(jiā(🎣) )国(📨)的责(zé )任感驱使他们(men )去查(chá )明真(🗝)相(🤾)伺机(😀)营(yíng )救。在民族大(dà )义的面(miàn )前，英(🚺)雄从(⛔)来(⛔)(lá(🍴)i )都不(bú )孤独，相互间(jiān )舍命救援，默(mò(🛄) )契(👄)中(⌛)(zhōng )同(tóng )仇敌忾，抗日(rì )救国(guó )，舍我其(💴)谁(👰)？
一(🏎)道高大的围(wéi )墙两(liǎng )侧生活着红(📙)族(🤢)与(👍)绿(😽)族(🥀)(zú )两个部落。一(yī )场罕见的旱灾(zāi )使(🥛)绿(📱)(lǜ(🈴) )族的人民陷入窘迫的(de )境地，首领mu 在(zà(💈)i )一(🎤)份(🧐)古(🆗)老竹简的指(zhǐ )引下，不惜牺(xī )牲一(🚞)切(🗡)(qiē )代(🌧)价，与红族(zú )建立(lì )合作关系，拯(zhě(🤜)ng )救本(🐬)部(🔄)落(🛣)。第(dì )二六五(wǔ )任“mu”在位之(zhī )际，绿族将(💀)遭(😞)受(🗳)巨(jù )大灾难，唯有(yǒu )借助(zhù )红族力量(💵)，方(🚋)可(kě(🎐) )渡过(guò )难关。
某外国(guó )城市，来自韩(🎟)(há(📚)n )国(🛄)的(💽)(de )女(🍨)演员英熙，正因为(wéi )和国内一个已(yǐ(🔖) )婚(🐤)男(🏑)子的恋情(qíng )而备(bèi )受压力，她放弃了(🤗)一(🧟)(yī(😓) )切(💴)，甘受千夫(fū )所指以此表明心迹(jì(😤) )。他(🈂)说会(🏏)去找(zhǎo )他，但(dàn )她并不相信。在熟(shú(🐢) )识的(👩)朋(💥)友(🥈)家吃(chī )过饭，她去了(le )海边。她认为朋友(😀)不(😡)(bú(😗) )会理(lǐ )解这段感情，但还是问道：“他(🚵)(tā(🐝) )会像(🌄)我思念他一(yī )样思(sī )念我吗”
两个(🔈)(gè(🍑) )来(🌄)自(🤯)北(➡)京和上(shàng )海的(de )女孩，带着自己的过(guò(🕸) )去(💸)相(🍑)遇在318号公(gōng )路，一起骑行、各(gè )自找(🍲)寻(🎑)、重(😟)新(xīn )迷失、又再次自我救(jiù )赎。经(🤮)历(🍳)不一(⏯)样的(de )人和事后如何(hé )面对生(shēng )活(🌬)、理(👂)解(💪)生(🐎)命(mìng )的故(gù )事。
When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.
