法(fǎ )国《电影手册(♓)(cè(🏡) )》2018年度期待榜(bǎng )单重点推(❌)荐(📆)影(yǐng )片之一，影片(pià(🤚)n )采用(yò(🦉)ng )16mm胶片拍摄(shè )，具(jù )有(⛰)极致的(📤)(de )迷幻(huà(⛲)n )色彩，影像超(😚)(chāo )级大(📨)胆，故事(👖)(shì )讲述5个热(👔)爱艺术(💀)的(🙃)“野小(xiǎo )子”的罪恶之(zhī )行(🏏)，让(🖤)人想到(dào )库布(bù )里克的《发(🥥)条(tiáo )橙》，而这5位(wèi )“野(🐭)小子”则(🔈)(zé )正由5位女演员(yuá(🏝)n )“扮演”，涉(🔫)(shè )及到(👝)了不少情(qí(💃)ng )色元素(🆘)，探讨(tǎo )了性别结构。
建筑工(⛪)程(☕)师迈(mài )克尔打算带着(zhe )十(💼)四(🚼)年都未曾(céng )联系的(🍗)儿子路(🍖)(lù )易斯(sī )去挪威参(👩)(cān )加父(🍚)(fù )亲的(🧡)葬礼(lǐ )。二(è(🕚)r )人因此(💵)有了一(🍤)(yī )段从未有(😒)过的(de )独(💉)处(🔷)时光，迈克尔也想借(jiè )此(🤚)机(♌)(jī )会弥补自(zì )己作(zuò )为父(👻)亲缺(quē )席的(de )十四年(📆)。然而(é(📊)r )，无论迈克尔(ěr )怎样(⛽)试图和(👝)儿(ér )子(👬)沟通都无法(🥟)(fǎ )得到(🎴)积极的回(huí )应，二人之间(jiā(🦕)n )仿(🌪)佛有着一堵(dǔ )无法逾越(💊)的(🈁)心(xīn )墙。尽管这一(yī(😽) )路上遇(✏)到的种(zhǒng )种麻烦让(🎼)路易(yì(🎢) )斯一直(🏆)埋怨父(fù )亲(📅)的(de )粗心(🏣)大意(yì(🥩) )，迈(mài )克尔依(🤵)然希望(🌄)(wà(🤖)ng )能够推翻彼此(cǐ )间的隔(🧜)阂(⛲)。
故(gù )事讲述年轻(qīng )记者杰(✌)伊·巴(bā )哈杜(dù )尔(📁)(彼得斯(🎫)(sī )饰)偶(ǒu )然遇到曾(🈺)经叱(chì(🐲) )咤风云(🥠)的战地(dì )记(🍨)者(帕西(🔥)诺饰(shì ))。在一番沟通(tōng )后，他(👽)选(🌴)择前(qián )往索马里采访(fǎ(😐)ng )。
星(🐩)宇公司遭(zāo )遇盗宝(🤓)集团突(🖊)(tū )袭，立夏受伤(shāng )，丢(💾)失了云(🥟)南(nán )赤(💡)家兄弟的瓷(👿)(cí )瓶。林(🚏)欢馨联(⚫)(lián )合考古学(🦍)家高(gā(🔚)o )震(🗞)云(yún )设下计谋(móu )寻回(huí(🏒) )了(🔋)瓷瓶。不料(liào )盗宝集团跟踪(🍠)(zōng )至云南该瓷瓶(pí(🏴)ng )出土处(👧)，将(jiāng )众人擒拿欲挖(🌅)(wā )掘古(🈁)(gǔ )墓。林(🗃)克(kè )服恐(kǒ(🥒)ng )高症独(🛏)自逃出(chū )，并联合赤家(jiā )寨(🗞)村(🚹)。
While on a road trip to a wedding, a young couple is forced to camp out for the night - and become prey to the wilderness, and something even more sinister.
成长中(zhōng )父母也在日渐(🕣)(jià(👉)n )变老，我们会(huì )把这(⏺)样或那(🛡)样(yàng )的无奈当做借(🍳)(jiè )口，而(😁)忽视他(🚊)(tā )们的心理(🌶)或身(shē(🎲)n )体的健(🔇)康状况(kuàng )，当(🕞)问题严(🦌)重(🎊)(chóng )时我们又会悔(huǐ )恨自(⏺)己(🔂)的冷漠(mò )和粗(cū )心，孩子(zǐ(🚟) )和父(fù )母之间永远(🛀)存(cún )在(🦅)一种不公平(píng )，而这(🚥)种不公(🦓)(gōng )平却(💬)又以一(yī )种(🚤)不协调(🎲)的姿(zī )势，却又很和(hé )谐的(💶)(de )存(😴)在着………
一个年迈的鳏(🚙)(guān )夫，二战时期(qī )的(🙋)无线电(🐍)话务(wù )员，发觉闪烁(😝)(shuò )的灯(🈯)泡传 递(🛶)着(zhe )他亡妻来(🍉)自天(tiā(🌕)n )堂的消息。
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
